Louis Armstrong and the development of early jazz Essay

Louis Armstrong and the development of early jazz - Essay Example ific manner of performance - singing "scat", that is, the kind of jazz singing, when the melody is improvised with adding of meaningless set of words which serves as a kind of an additional tool. The novelty of the performance surprises hearing of listeners and wins their hearts. Louis Armstrong becomes not only the example of following by other jazzmen but also the favorite of the public. All this has its positive aftereffects even nowadays, after more than fifty years, as his compositions are listened by a great number of his fans, his albums and compilations of hits still face unprecedented demand. So what is the role of Armstrong for the development of early jazz and what his particular impact on it? Let’s see the characteristic features of his individual style by researching its expression in his full of talent songs. Probably the peculiarities of every person’s life, whether he or she is a representative of the scientific or creative environment, find their reflection to some extent in his or her works, and Louis Armstrong is not an exception in this respect. From early childhood and till the youth the future jazz player has an experience of street singing, participation in the camp brass orchestra, performance in clubs and restaurants, becoming a member of different bands. All this helps Armstrong to emerge as an extraordinal performer whose distinctive feature is his playing style of cleanliness and beauty of sound. The other thing which highlights Armstrong on the background of other jazz performers is his grandstanding aimed to be appreciated by everyone from the audience; and it must be said he manages to become the favorite among the black as well as the white public. This means that the ease with which he wins the white public can be explained by the fact that from Louis’s childhood he grows up and serves to white people, and that helps him to learn how to find the right approach in dealing with them so as not to be hungry, at minimum, and to

The Concept of New Media

The Concept of New Media THE CONCEPT OF NEW MEDIA New Media as a term cannot be described by a single, uniform definition. This is because the concept of New Media evolves along with the development of technology and as the modes of communication progress and become in many ways, more instant. The concept of New Media takes definite form when the comparison between the old and the new mediums of communication takes place. In the present age, the mediums of television, recorders, radio and paper books have taken a back stage and the electronic mediums of communication have emerged triumphant. Today, the most popular and most instantaneous means of communication is the Internet which is the core element distinguishing new media from other forms. The popular definition of New Media is recognized with the use of a computer for the means of distribution and exhibition, by way of the internet, rather than with production. Thus, texts distributed via a computer are considered as New Media whereas those printed on paper, without the use of the computer and the internet are not. This Lev Monovich has labeled as the ‘culture of computerization.’[1] According to Monovich, the computer encompasses all mediums/methods of communication and affects all types of media, text, still images, moving images, sound and special constructions.[2] However, Monovich himself states that limiting the advent of New Media to the device of a computer is too limiting. Monovich lays down the following principles that determine new Media[3] – Numerical Representation Monovich states that all types and forms of New Media can be described mathematically, that is in terms of the binary code and so are numerical representations. Therefore, by applying appropriate algorithms, New Media can be manipulated. A cinematograph film for example is a sequence of images/frames, each of which has its own numerical representation.[4] Modularity This is also known as the ‘fractal structure of New Media’. Media elements consist of pixels, bites, characters, scripts, voxels etc, each of which combine to create the larger image, that is, what we see. However, each one retains its independent identity separate from the whole. Going back to the example of the cinematograph film, each frame would be independently created and would thereafter be combined together to create the whole cinematograph work. However, a single frame can thereafter be removed, altered or deleted without having an effect on the whole ‘work’. Automation The above two principles, that is Numerical representation and Modularity allow the work to be automated in many operations. For example, in cinematograph films software is programmed to automatically produce artificial life such as crowds of people as required in the film. Another more common example is when a computer automatically generates web pages when the user reaches the site. Variability An object of New Media is parallel to the idea of liquid. New media is not fixed in one definite format but can exist in a myriad of versions. New Media frequently changes as it is stored digitally with a numerical code. Thus, variability is a consequence of principle 1 – numerical representation and principle 2 – modularity. In order to get clarity, one can compare old media with new media. Old Media is created by a human creator who manually assembles the test, the images, and the video and audio elements in one particular format which then becomes fixed for perpetuity. Copies of the work can be made, but only identical copies can be made. In contrast, New Media, which constitutes numerous codes, changes each time it is generated. This is because, after it is created by the human creator, New Media then begins to be generated automatically which is what results in different versions. As New Media is stored digitally, in contrast to a fixed medium, each element retains its separate identity which can then be assembled into numerous sequences under the program’s control. Variability of New Media is created due to the following factors [5]– Media elements are stored on a media database Each time Media is created, different elements are used along with different numerical coding New Media can be displayed using a number of different interfaces The information about the user can be used by a computer program to automatically generate and customize the media composition New Media is through branching/menu based interactivity thus allowing the user to choose. This is when a user enters a programme; the user is given a number of options to choose from. The branch next advanced to in the program would depend upon the choice made by the user which for each user would not necessarily be the same. New Media contains objects that are periodically updated. Transcoding The fifth principle is the most significant, the cultural transcoding of media. This means that all data is turned into computerized data. While on the one hand computerized media still displays structural organization which is comprehensive to the users such as images, texts etc. on the other hand media follows the conventional structure of a computer’s organization of data. Therefore, New Media can be seen as two distinct layers, the ‘culture layer’ and the ‘computer layer’. The layer that can be viewed as a representation is the culture layer and the operating functions are the computer layer. Lev Manovich, in his introduction toThe New Media Reader, defined New Media by using eight propositions: Today, the increasingly rapid change in technological development is leading to rapidly changing forms of new media thus leading to new and unexpected methods of distributing and exhibiting copyrighted work. Methods of distribution or exhibition are constantly evolving and are modernizing hence giving old content new form and value. For example, the exhibition of performing arts has evolved from theater to pictures, television, videocassettes, LDs, DVDS, streamed videos and then to cell phone formats and tablet formats. A similar scenario has been witnessed in the music industry where the method of storing the data recorded has changed. Copyright Law, including the Copyright Act, 1957 grants authors an exclusive right over their creations.[6] Copyright in a work lasts for long durations. Section 22 of the Act states that â€Å"Copyright shall subsist in any literary, dramatic, musical or artistic work published within the lifetime of the author until sixty years from the beginning of the calendar year next following the year in which the author dies.† During this time, the value of the work and the circumstances surrounding its distribution would be liable to change considerably. To get a full understanding of the concept imagine that a newspaper publisher wants to release a compilation of articles on a CD-ROM and simultaneously wants to create an online database. There would be a possibility that a number of the authors would not be alive to give their consent to such distribution of their work. Finding the right holders to all articles to get them to agree to re-release the works would be prohibitively diff icult. Copyright laws across the globe have not enunciated on the copyright protection of ever-changing New Media. Thus, New Media will prove to be a highly contentious issue due to the gaping loophole in the law. As India has not expressly dealt with the issue of New Media as a challenge to copyright law this chapter will look at legislative reasoning in other countries before drawing a conclusion as to what India’s legislative development shall be in this respect. The legal landscape with respect to new use rights is bifurcated into two. While USA and the UK recognize new use rights and generally allow the free transfer of rights to unknown uses of copyrighted works, copyright grants are restricted in Germany, Spain, Belgium. CHAPTER___ COPYRIGHT PROTECTION OF TWEETS AND FACEBOOK POSTS Twitter along with Facebook epitomizes the term ‘social networking sites’ which allows a user to create a profile and regularly interact with other users. While Facebook allows posts and images to be uploaded on a user’s profile, Twitter is a real time application that allows public contact amongst the users. Thus, in the Internet age, Twitter and Facebook are the most commonly used social networking sites. Copyright issues with respect to one site will apply equally to the other site. Therefore, for discussion sake, the example of Twitter is chosen. ‘Tweets’, the posts by users on the site, are relatively simple as a mechanism. They are short in length as they cannot exceed 140 characters and on a general basis answer only one question.[7] Users on Twitter share stories, facts, information, breaking news, updates on world events, entertainment, sports etc. Twitter users can follow other users or vice versa and updated tweets would appear as and when they are posted.[8] Twitter, via its terms of service, declares that the user retains his/her rights to any content posted[9], therefore Twitter states that the user is entitled to the Intellectual Property Rights that get vested with the user as a result of any post. Alternatively, by signing up as a user on the Twitter website and making the content available to the public by posting tweets, the user grants a license to Twitter. The license includes Twitter’s right to make the content available to other organizations, companies etc.[10] Whether tweets on Twitter are copyrightable has, till date, not been a contentious issue in India. However, in the United States the copyrightability of tweets has been under debate. Therefore, to be able to culminate in a satisfactory answer, we first need to see whether a Tweet/post satisfies the requirements of the Federal Copyright Act. I will simultaneously transpose a similar argument in the Indian context. As per Section 102(a) of the Act, original works of authorship that are fixed in a tangible medium of expression, whether now known or later developed, are protected. Therefore, the pre-requisites for copyright protection under the Federal Act and the Indian Copyright Act, 1957 are – Originality The term ‘original’ has not been defined either under the Federal Act or under the Act of 1957. However, Section 13(1)(a) of the 1957 Act states that copyright shall subsist in ‘original literary, dramatic, musical and artistic works;’ which is indicative that copyright shall only extend to works that are the fruits of a person’s labour and skill. In the United States, it was observed in Alfred Bell Co. v. Catalda Fine Arts[11] that the term â€Å"’Original in reference to a copyrighted work means that the particular work ‘owes its origin’ to the author†. Further, in the landmark judgment of Feist Publications Inc. v. Rural Telephone Service Co.[12] it was observed that originality work that is directly attributable to the skill and labour of the author and that the work in question is independently created and is not a mere copy.[13] In order to be protected under the Copyright Act, 1957, a work must satisfy the criteria of ‘work’ as defined in Section 2(y) of the Act. In University of London Press v. University Tutorial Press[14] J. Peterson held that the word original does not imply that the work must be the expression of original or inventive thought. Originality as interpreted with respect to copyright protection relates to the expression of thought.[15] For a work to be considered original under the Copyright Act, it is sufficient if the contribution is minimal or poor. Work of Authorship The second pre-requisite for copyright protection to apply to any work is that the work must be a ‘work of authorship’. (continue) Fixation in a tangible medium The third element that is required for copyright protection is that a work is deemed created when it is first fixed, that is given a tangible form. This is parallel to the concept that an idea is not copyrightable but the expression of that idea is entitled to copyright protection.[16] Thus, if the idea is not made into a tangible medium, i.e. expressed, it cannot be protected by way of copyright. For example, in the field of literary work, the idea of the novel would not be copyrightable, but when the idea is expressed on paper in the particular manner of the author; fixation of the work would take place. For copyright protection, the medium, form and method of fixation of the work is not substantially consequential. Tweets create a challenge to the Copyright law and its application. However, the fact that Twitter’s Terms of Service include a Copyright Policy is indicative of the fact that the content on Twitter, including tweets, is copyrightable.[17] However, for a particular tweet to be entitled to copyright protection a tweet needs to satisfy the 3 basic requirements given above, a tweet must be an original work, it must be the work of the author and it must be in a fixed, tangible form. Whether a Tweet is entitled to Copyright Protection? To establish whether a tweet is entitled to Copyright Protection the following points are established – A tweet is an original work as the work is independently created. The users of Twitter post a tweet that is the result of their skill and labour. The Tweet meets the originality threshold stated in Alfred Bell Co.[18]however there is no specific reference to determine whether all Tweets are original. However, is it safe to say that some Tweets are original. As a corollary, it is seen that a tweet is a creative work. In Fiest it was held that the work must contain a modicum of creativity, â€Å"No matter how crude, humble or obvious ‘it might be.†[19]However, Phrases and words that have common, widespread usage cannot be copyrighted. A tweet is a literary work as stated under the Acts. As the term literary in the Federal Act connotes neither literary merit nor qualitative value, the term literary can have an expansive interpretation. Applying this standard, all tweets qualify as literary work. Further, to constitute a work of authorship, the work should be based on intellectual labour for which the content of the tweet must be examined. Generic, common phrases and questions cannot be works of authorship as they require no intellect in their expression. However, a poem, an expression, a joke is tweeted would be works of authorship because the work would be the result of intellectual labour as well as a literary work. A tweet is fixed in a tangible medium i.e., Twitter. Tweets cannot be viewed without the aid of a computer or any other device that can be connected to the internet.[20] Nevertheless, Twitter users face many challenges in meeting the three pre-requisites for copyright protection. This is due to the following reasons[21] – Size Tweets are very short in length, with a limit of 140 characters. Therefore, the word limit makes it impossible for the work to reach the level of creativity which is required for copyright protection. Content – It is well established that facts are not copyrightable. Tweets are mainly regarding notifications, events, gossip, and comments on political situations etc. Copyright law does not extend protection to facts and so tweets, despite their varying expressions, cannot be copyrighted. Scenes a faire – Tweets describe events, affairs, circumstances, scenes which cannot be expressed in more than a limited number of ways. For example, a tweet regarding the sunset will describe the sun as brilliant, or sunny, or bright. When an idea can be expressed in only a limited number of ways, such expression cannot be copyrighted as providing copyright protection to such an expression would be providing copyright protection to the idea itself.[22] Copyright in Quotes and Short Phrases Protection by way of Intellectual property rights over the most minimal of creative work has been regularly debated. Copyright protection of brand names, slogans, advertising mantras etc. have become a contentious issue. Courts are forever embroiled in the task of breaking down the exact meaning of the definitions provided in the statute. To get a better understanding of the boundaries of protection by the Act of 1957 some of the definitions provided are required to be repeated. Section 13 of the 1957 Act lays down that copyright protection is accorded on literary, dramatic, musical and artistic works, cinematograph films and sound recordings. Rights as provided in the statute can be exercised only by the owner of the copyright.[23] Quotes and short phrases are of two types. One type is cutting a small part from a longer sentence, example a book whereas the other type is when the quote stands on its own in entirety. Tweets would be form of the second type of quote/short phrases. Copyright protection to short phrases and quotes has been refused in a number of cases by the Indian courts. To claim a copyright infringement, the de minimis standard must be satisfied. Courts have refused to grant protection to slogans in advertisements, newspaper headlines for there is no copyright in a mere collection of words that is not a compilation. In this matter the law of trademark infringement and passing off has proved to be more useful. The underlying reason is that although such short phrases may be considered ‘works’ but they are unable to satisfy the requirement of originality. Leading case laws by the English and Indian courts have expounded upon this matter. [1] Lex Monovich, â€Å"Language of New Media† MIT Press, 2001. Pg.43 [2] Id. [3] Id. Pg. 49 [4] Id. Pg. 50 [5] Id. Pg. 57 [6] Section 14 of the Copyright Act, 1957: â€Å". . â€Å"copyright† means the exclusive right subject to the provisions of this Act. .† [7] Rebecca Haas, Twitter: New Challenges to Copyright Law in the Internet Age, 10 J. Marshall Rev. Intell. Prop. L.231 (2010) , pg. 236 [8] Id [9] You retain your rights to any Content you submit, post or display on or through the Services. By submitting, posting or displaying Content on or through the Services, you grant us a worldwide, non-exclusive, royalty-free license (with the right to sublicense) to use, copy, reproduce, process, adapt, modify, publish, transmit, display and distribute such Content in any and all media or distribution methods (now known or later developed) https://twitter.com/tos (Twitter Terms of Service) – Last Accessed – 8/04/2014 [10] Supra n. 3, pg. 237 (Rebecca Haas) [11] 191 F.2d 99, 103 (2nd Cir. 1951) [12] 499 U.S 340, 351-52 (1991) [13] Rebecca Haas, pg. 238 [14] 1916] 2 Ch 601. The case involved the copying of mathematic questions, which were held to be original for the purposes of copyright law [15] Tissya Mandal. â€Å"Copyright in quotes† available at – http://ssrn.com.abstract=1818985 [16] Id. [17] Supra n. 5 Twitter Copyright Policy states: Twitter respects the intellectual property rights of others and expects users of the Services to do the same. We will respond to notices of alleged copyright infringement that comply with applicable law and are properly provided to us. If you believe that your Content has been copied in a way that constitutes copyright infringement, please provide us with the following information: (i) a physical or electronic signature of the copyright owner or a person authorized to act on their behalf; (ii) identification of the copyrighted work claimed to have been infringed; (iii) identification of the material that is claimed to be infringing or to be the subject of infringing activity and that is to be removed or access to which is to be disabled, and information reasonably sufficient to permit us to locate the material; (iv) your contact information, including your address, telephone number, and an email address; (v) a statement by you that you have a good faith belief that use of the materia l in the manner complained of is not authorized by the copyright owner, its agent, or the law; and (vi) a statement that the information in the notification is accurate, and, under penalty of perjury, that you are authorized to act on behalf of the copyright owner. – Last Accessed – 8/04/2014 [18] Supra n. (Alfred Bell) [19] Supra n.  ­__ at 345 [20] Rebecca Haas, Pg. 245 [21] Consuelo Reinberg. â€Å"Are Tweets Copyright- Protected?† WIPO Magazine, July 2009 [22] The concept of idea-expression being expressed in a limited number of ways is called the â€Å"Doctrine of Merger†, which will be discussed subsequently. [23] Section 14 of the Act lays down the rights that are exclusively granted to the owner of the copyright. Section 57 of the Act further defines two forms of ‘moral rights’ that are conferred on the author, right of paternity and integrity. The right of paternity is a right provided to the author which is the right to prevent others from claiming authorship of his work. Right of integrity enables the author to prevent mutilation or distortion of his work or any other act which would be prejudicial to his reputation and honor.

The Democratization of American Christianity :: Book Review, Nathan Hatch

The Democratization of American Christianity, by Nathan Hatch, is written about â€Å"the cultural and religious history of the early American republic and the enduring structures of American Christianity† (3). Hatch writes to make two arguments: 1) the theme of democratization is central to understanding the development of American Christianity, and 2) the years of the early republic are the most crucial in revealing to process that took and is still taking place. The story of the democratization of American Christianity begins with the population boom in America from the Revolution up to 1845. Hatch writes that during this boom, â€Å"American Christianity became a mass enterprise† (4). This mass enterprise is reviewed through five traditions in the early nineteenth century: the Christian movement, the Methodists, the Baptists, the black churches, and the Mormons. Hatch explains that these major American movements were led by young men who shared â€Å"an ethic of unrelenting toil, a passion for expansion, a hostility to orthodox belief and style, a zeal for religious reconstruction, and a systematic plan to realize their ideals† (4). These leaders changed the scope of American Christianity by orientating toward democratic or populist ideals. Their movements offered both individual potential and collective aspiration, which were ideas ready to be grasped by the young and booming population. These early leaders had a vision of a faith that disregarded social standing, and taught all to think, interpret, and organize their faith for themselves. It was a faith of â€Å"religious populism, reflecting the passions of ordinary people and the charisma of democrati c movement-builders† (5). New brands of distinctly American Christianity began developing early in the country’s history. Before the revolution, George Whitefield set the stage for American religious movements. The most important factor that helped launch these movements was the American Revolution. The country was ripe with conversation and action on a new understanding of freedom. The revolution â€Å"expanded the circle of people who considered themselves capable of thinking for themselves about issues of †¦ equality, sovereignty, and representation† (6). The country was beginning to move toward an understanding of strength lying in the common people, and the people’s ability to make their own personal decisions on issues of leadership and authority. There was a common belief that class structure was the major societal problem. The revolution created the an open environment that pushed equality of the individual, allowing political and religious beliefs to flourish and grow with out being held in check by authoritarian leaders.

Ex-Basketball Player Essay

Life is like a circus. It has cyclic patterns of ups and downs. People celebrate the ups and struggle with the downs. Sometimes people are happy and there are times when they are not. Sometimes they are lucky, sometimes not. What is important is people learn from life’s experiences and survive its challenges. John Updike’s poem, â€Å"Ex-Basketball Player† (Updike 1993) is a simple portrayal of a man who experienced the ups in his youth and settled with the fall. The poem confirms that a person’s future depends solely on himself and how he wants it to be. This paper discusses this thesis with a thorough analysis of the poem â€Å"Ex-Basketball Player† (Updike 1993) based on the elements theme, characters and style and with reference to the poet’s life and works. Background John Updike (1932-) wrote the poem â€Å"Ex-Basketball Player† in 1954. (J. H. Updike (1932-) 2004) It is among his works that were based on real life situations. Updike wrote other legendary novels and short stories as well. Among them, â€Å"Centaur† (J. H. Updike (1932-) 2004) in 1963 which used legends and myths to depict the life and relationship of a father and a son; â€Å"Rabbit is Rich and Rabbit at Rest† (J. H. Updike (1932-) 2004) both won Pulitzer Prize in the ‘80’s and were about the plagues in society or the AIDS in America. (J. H. Updike (1932-) 2004) Though Updike’s poems were not his carrier, Ex-Basketball Player became very popular especially to students and young athletes. According to the article Inside Game, it was even read widely during the recent NCAA finals, more popular than Shakespeare. (Inside Game) Updike’s comment was: I am surprised it still speaks to young readers, since much of the imagery—ESSO gas pumps, small-town garages, lemon phosphates, Nibs, and Juju Beads—has become obsolete. The garage I had in mind (also found in my early novel The Centaur) has long since become a Turkey Hill Minimarket. But perhaps the curve of adolescent success and adult disappointment is still with us, and Flick’s failure to produce a second act in his life’s drama worthy of the first is still a useful American metaphor. (Inside Game) Indeed, the setting and the mood of the poem projects the era of the blue jeans, like that of the Westside Story where most teenagers work as gasoline boys or automotive repairmen. Updike also likened the poem to â€Å"Rabbit, Run† (Inside Game) and his short story â€Å"Ace in the Hole† (Inside Game) which were both written in the ‘50’s. All of these were influenced by the author’s life in Pennsylvania when he was growing up. He said that he used to watch a lot of basketball games because his father was a high school teacher and a ticket taker. These experiences made strong impression to him; â€Å"the glory of home-town athletic stars and their often anti-climactic post-graduation careers†. (Inside Game)

Investigating a Crime Scene Essay

On TV shows like â€Å"CSI,† viewers get to watch as investigators find and collect evidence at the scene of a crime, making blood appear as if by magic and swabbing every mouth in the vicinity. Many of us believe we have a pretty good grip on the process, and rumor has it criminals are getting a jump on the good guys by using the tips they pick up from these shows. But does Hollywood get it right? Do crime scene investigators interview suspects and catch the bad guys, or is their job all about collecting physical evidence? In this paper, I’ll examine how a crime scene investigation really takes place. When working a crime scene there are many steps that must take place in order for any investigation to hold up in court. A proper investigation can take hours, but the end result can lead to a conviction of the guilty and justice for victim’s families. The first officer at the crime scene should do everything they can to keep all evidence in its original state. The crime scene must be blocked off immediately to avoid any contamination or loss of evidence. Boundaries should be established for each area of the scene that needs to be secluded. This will include any paths of entry or exits and areas where evidence has been discarded or located. All areas of the crime scene should be blocked off using tape, ropes, or traffic cones. If the crime took place indoors, a single room can be blocked off depending on the place of the crime and where it occurred. Police barricades and guards can help with securing the scene as well. This is a good way to monitor the area to make sure no unwanted people get through and cause loss of evidence. This will include officers that are not involved in the case, neighbors and the family of the victim. Securing the crime scene must be done in a timely manner and all persons entering the scene should be recorded, and times of the entry should be taken as well. Before anyone can enter the scene, the responding officer must first establish a walk way. This is done to ensure that no evidence is being touched and is out of the way before walking into the scene. This will include investigators or medical examiners that need to get to any victims that may be injured. Once the crime scene has been blocked off and secured, the investigators will process the area. At this time a strategy is put into place. This will start the examination of the area and documentation of all evidence at the scene. A walk through of the scene will take place by the lead investigator to establish how the scene was entered and exited at the time that the crime took place. Once the points of entry are established, the investigator will find the center of the scene using the path that the first officer established. A crime scene is three dimensional so that when making their way to the center of the crime scene, evidence will be located. It is the investigators responsibility to photograph and document these items as they are seen. There are many questions that will need to be answered during the investigation such as but not limited to: did this crime involve violence, or are there any hazardous conditions that they should be aware of? The scene should be looked over as if trying to put a puzzle together. Looking around at objects in the crime scene can tell a whole lot as to the time the accident occurred or if objects seem like they are missing. There are two categories a crime scene can fall under; one is a primary crime scene where the crime occurred or a secondary crime scene where evidence was taken to and is now a part of the crime scene. A command center needs to be put into place outside the crime scene. This is where the investigators receive their assignments, store the equipment that will be needed or where they gather to discuss or go over the case. Tasks are assigned to all of the investigators which will ensure that all aspects of the area are covered. Tasks include locating, processing, accessing, photographing and sketching the evidence at the scene. Searching a crime scene and how a crime investigation is carried out depends on the size and area of the scene being investigated. The different kind of crime that was committed can have a great toll on how the investigation is carried out as well. When doing a search of the crime scene, different kinds of flash or illumination are used to show fingerprints, handprints or other things that may be gathered as evidence. There are different patterns in which a crime scene is investigated or searched. Each pattern depends on the scene and what kind of evidence is suspected to be found at the scene. This could include: a line or strip search where two investigators walk in straight lines across the crime scene and search for evidence, a grid search where investigators form a grid throughout the scene making overlapping lines, a spiral search where an investigator works in a spiral motion from the outer part of the scene or vice versa, a wheel ray search which is done by a group of investigators that move from the boundary of the crime scene and work their way to the middle of the scene, or a quadrant or zone search where the crime is divided into sections and is split up between investigators and divided again to search more thoroughly through that section. When searching a crime scene at night difficulties will come up due to lighting. Boundaries of the scene are hard to see when trying to locate evidence. The search of evidence is determined by each crime scene, because every crime is different in its own way. Locating evidence includes footprints, weapons, blood spatter, trace fibers or hairs. When an investigator locates evidence everything should be recorded. Exact location in notes, photos and sketches must be done, and all evidence must be marked with an evidence marker once it is recorded. A search will end when all evidence is located. Once a decision has been made that the investigation has come to a close, the team will conduct a final survey. This survey will include an overview of the scene and all evidence is collected and bagged. Taking notes at a crime scene begins the moment an investigator gets a call. All notes must be specific. Notes should begin with all the information of the person who has called in, the time the call was placed and all of the information that is given about the crime, as well as the assigned case number that is given. When an investigator arrives at the scene, date, time and all persons present must be recorded. All notes should be in detail, and all movements that are taken should be documented. The lead investigator will do a walkthrough of the scene and at this time notes are taken with details of the condition of the scene. All notes taken should be in blue or black ink. Notes are very important to the investigation, and all notes should be taken at the scene and not left up to memory. This ensures that all information is recorded and nothing is left out. Notes should include all documentation of the victims, witnesses, evidence collected, tasks being performed, and when and how an object is packaged. There should be no task, detail or movement left out when taking notes at a crime scene. Photographing a crime scene is extremely important in a crime scene investigation, and should be of high quality and very clear. These photos will be used in court, so when taking the photos you need to keep in mind that the person or persons viewing the photos should be able to understand where the photos were taken and should be able to tell the story through them. The overall area of the scene should first be photographed such as street signs, street lights, addresses, and identifying objects. Photos should be taken in a clockwise direction to prevent any information from being left out. Different lenses should be used when photographing different parts of the scene as well as different illuminations, flashes and filters. The first photo should consist of a photography log that includes that case number, type of scene, date, location of scene, type of camera used, photographers name and title. Photos should be of the scene before it has been altered in any way. The photos should include the area that the crime took place, and areas where other acts occurred. Pictures should be taken from the outside of the scene working towards the middle of the scene. The photographer must be consistent when working through the scene as this will ensure that all evidence is photographed from all angles and nothing is left out. Photos should include: overview photographs which consist of the entire scene and surrounding area. These photos include all exits and entries, and should start from the outside of the scene and in all angles. And medium range photographs which show smaller areas of the crime scene. These photos should be taken with evidence markers. Sketching the crime scene is done after all notes and photographs are taken of the scene. A sketch will show the layout of the area or house where the crime was committed, as well as where the evidence was located. It is used to back up all notes and photographs already taken. All aspects of a crime scene will be shown in court and used to convict the guilty; therefore, it is extremely important that all steps of the investigation are followed exactly and with as much detail as possible to ensure that justice can be served.